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Leonidas and the remaining Spartans fight to the last man until they finally succumb to an arrow barrage. Dilios, now back in Sparta, concludes his tale before the Council.

Inspired by Leonidas' sacrifice, the Greeks mobilize. One year later, the Persians face an army of 30, free Greeks led by a vanguard of 10, Spartans.

After one final speech commemorating the , Dilios, now head of the Spartan Army, leads them to war, against the Persians across the fields of Plataea.

Producer Gianni Nunnari was not the only person planning a film about the Battle of Thermopylae ; director Michael Mann already planned a film of the battle based on the book Gates of Fire.

Nunnari discovered Frank Miller's graphic novel , which impressed him enough to acquire the film rights. Gordon wrote the script. The film is a shot-for-shot adaptation of the comic book , similar to the film adaptation of Sin City.

Snyder used this narrative technique to show the audience that the surreal "Frank Miller world" of was told from a subjective perspective.

By using Dilios' gift of storytelling, he was able to introduce fantasy elements into the film, explaining that "Dilios is a guy who knows how not to wreck a good story with truth.

Two months of pre-production were required to create hundreds of shields, spears, and swords, some of which were recycled from Troy and Alexander.

Creatures were designed by Jordu Schell , [17] and an animatronic wolf and thirteen animatronic horses were created. The actors trained alongside the stuntmen, and even Snyder joined in.

Upwards of costumes were created for the film, as well as extensive prosthetics for various characters and the corpses of Persian soldiers. Shaun Smith and Mark Rappaport worked hand in hand with Snyder in pre-production to design the look of the individual characters, and to produce the prosthetic makeup effects, props, weapons and dummy bodies required for the production.

Butler said that while he did not feel constrained by Snyder's direction, fidelity to the comic imposed certain limitations on his performance.

Wenham said there were times when Snyder wanted to precisely capture iconic moments from the comic book, and other times when he gave actors freedom "to explore within the world and the confines that had been set".

Post-production was handled by Montreal's Meteor Studios and Hybride Technologies filled in the bluescreen footage with more than 1, visual effects shots.

Visual effects supervisor Chris Watts and production designer Jim Bissell created a process dubbed "The Crush," [18] which allowed the Meteor artists to manipulate the colors by increasing the contrast of light and dark.

Certain sequences were desaturated and tinted to establish different moods. Ghislain St-Pierre, who led the team of artists, described the effect: "Everything looks realistic, but it has a kind of a gritty illustrative feel.

In July , composer Tyler Bates began work on the film, describing the score as having "beautiful themes on the top and large choir," but "tempered with some extreme heaviness".

The composer had scored for a test scene that the director wanted to show to Warner Bros. Bates said that the score had "a lot of weight and intensity in the low end of the percussion" that Snyder found agreeable to the film.

The score has caused some controversy in the film composer community, garnering criticism for its striking similarity to several other recent soundtracks, including James Horner and Gabriel Yared 's work for the film Troy.

The heaviest borrowings are said to be from Elliot Goldenthal 's score for Titus. Pictures acknowledged in an official statement:.

Warner Bros. Pictures has great respect for Elliot, our longtime collaborator, and is pleased to have amicably resolved this matter.

The official website was launched by Warner Bros. The "conceptual art" and Zack Snyder's production blog were the initial attractions of the site.

In January , the studio launched a MySpace page for the film. At Comic-Con International in July , the panel aired a promotional teaser of the film, which was positively received.

A second trailer, which was attached to Apocalypto , was released in theaters on December 8, , [41] and online the day before. In April , Warner Bros.

Interactive Entertainment announced its intention to make a PlayStation Portable game, March to Glory , based on the film.

Collision Studios worked with Warner Bros. In August , Warner Bros. On July 21, , Warner Bros. This new Blu-ray Disc is encased in a page Digibook and includes all the extras from the original release as well as some new ones.

These features include a picture-in-picture feature entitled The Complete A Comprehensive Immersion , which enables the viewer to view the film in three different perspectives.

This release also includes a digital copy. TNT agreed to a three-year deal instead of the more typical five-year deal. Once you make a great movie, word can spread very quickly.

Since its world premiere at the Berlin International Film Festival on February 14, , in front of 1, audience members, has received generally mixed reviews.

While it received a standing ovation at the public premiere, [66] it was panned at a press screening hours earlier, where many attendees left during the showing and those who remained booed at the end.

The site's critical consensus reads, "A simple-minded but visually exciting experience, full of blood, violence, and ready-made movie quotes.

Some of the most unfavorable reviews came from major American newspapers. Scott of The New York Times describes as "about as violent as Apocalypto and twice as stupid," while criticizing its color scheme and suggesting that its plot includes racist undertones; Scott also poked fun at the buffed bodies of the actors portraying the Spartans, declaring that the Persian characters are "pioneers in the art of face-piercing", but that the Spartans had access to "superior health clubs and electrolysis facilities".

Variety 's Todd McCarthy describes the film as "visually arresting" although "bombastic" [75] while Kirk Honeycutt, writing in The Hollywood Reporter , praises the "beauty of its topography , colors and forms".

In the actual historical event, by the time of the Battle of Thermopylae the Spartans had already entered into an alliance with other Greek poleis against the Persians.

Like during the Battle of Marathon 10 years before in , the time of Xerxes's invasion of Greece coincided with a Spartan religious festival, the Carneia, in which the Spartans were not permitted to make war.

Still, realizing the threat of the Persians, and not wanting to appear as Persian sympathizers, the Spartan government—rather than Leonidas alone—decided to send Leonidas with his personal strong bodyguard to Thermopylae.

The historical consensus among both ancient chroniclers and current scholars was that Thermopylae was a clear Greek defeat; the Persian invasion would be pushed back in later ground and naval battles.

Since few records about the actual martial arts used by the Spartans survive aside from accounts of formations and tactics, the fight choreography led by stunt coordinator and fight choreographer Damon Caro, was a synthesis of different weapon arts with Filipino martial arts as the base.

The Spartans' use of the narrow terrain, in those particular circumstances, is a military tactic known as " defeat in detail ".

Paul Cartledge , Professor of Greek History at Cambridge University , advised the filmmakers on the pronunciation of Greek names, and said they "made good use" of his published work on Sparta.

He praises the film for its portrayal of "the Spartans' heroic code", and of "the key role played by women in backing up, indeed reinforcing, the male martial code of heroic honour", while expressing reservations about its " 'West' goodies vs 'East' baddies polarization".

Ephraim Lytle, assistant professor of Hellenistic History at the University of Toronto , said selectively idealizes Spartan society in a "problematic and disturbing" fashion, as well as portraying the "hundred nations of the Persians" as monsters and non-Spartan Greeks as weak.

He suggests that the film's moral universe would have seemed "as bizarre to ancient Greeks as it does to modern historians". Leonidas points out that his hunched back means Ephialtes cannot lift his shield high enough to fight in the phalanx.

This is a transparent defence of Spartan eugenics , and convenient given that infanticide could as easily have been precipitated by an ill-omened birthmark.

Victor Davis Hanson , National Review columnist and former professor of Classical history at California State University, Fresno , who wrote the foreword to a re-issue of the graphic novel, said the film demonstrates a specific affinity with the original material of Herodotus in that it captures the martial ethos of ancient Sparta and represents Thermopylae as a "clash of civilizations".

He remarks that Simonides , Aeschylus , and Herodotus viewed Thermopylae as a battle against "Eastern centralism and collective serfdom", which opposed "the idea of the free citizen of an autonomous polis ".

Some passages from the Classical authors Aeschylus , Diodorus , Herodotus and Plutarch are split over the movie to give it an authentic flavor.

Aeschylus becomes a major source when the battle with the "monstrous human herd" of the Persians is narrated in the film. Diodorus' statement about Greek valor to preserve their liberty is inserted in the film, but his mention of Persian valor is omitted.

Herodotus' fanciful numbers are used to populate the Persian army, and Plutarch's discussion of Greek women, specifically Spartan women, is inserted wrongly in the dialogue between the " misogynist " Persian ambassador and the Spartan king.

Classical sources are certainly used, but exactly in all the wrong places, or quite naively. The Athenians were fighting a sea battle during this.

It's about the romanticizing of the Spartan 'ideal', a process that began even in ancient times, was promoted by the Romans, and has survived over time while less and less resembling the actual historical Sparta.

The director of , Zack Snyder , stated in an MTV interview that "the events are 90 percent accurate. It's just in the visualization that it's crazy I've shown this movie to world-class historians who have said it's amazing.

They can't believe it's as accurate as it is. That's what I say when people say it's historically inaccurate". He also describes the film's narrator, Dilios, as "a guy who knows how not to wreck a good story with truth".

In an interview writer Frank Miller said, "The inaccuracies, almost all of them, are intentional. I took those chest plates and leather skirts off of them for a reason.

I wanted these guys to move and I wanted 'em to look good. I knocked their helmets off a fair amount, partly so you can recognize who the characters are.

Spartans, in full regalia, were almost indistinguishable except at a very close angle. Another liberty I took was, they all had plumes, but I only gave a plume to Leonidas, to make him stand out and identify him as a king.

I was looking for more an evocation than a history lesson. The best result I can hope for is that if the movie excites someone, they'll go explore the histories themselves.

Because the histories are endlessly fascinating. Kaveh Farrokh , in a paper entitled "The Movie: Separating Fact from Fiction", [99] notes that the film falsely portrays "the Greco-Persian Wars in binary terms: the democratic, good, rational 'Us' versus the tyrannical, evil and irrational, 'other' of the ever-nebulous if not exotic 'Persia ' ".

He highlights three points regarding the contribution of the Achaemenid Empire to the creation of democracy and human rights. This was the first time in history that a world power had guaranteed the survival of the Jewish people, religion, customs and culture.

Before the release of , Warner Bros. Snyder relates that there was "a huge sensitivity about East versus West with the studio".

Snyder replied that, while he was aware that people would read the film through the lens of current events, no parallels between the film and the modern world were intended.

Outside the current political parallels, some critics have raised more general questions about the film's ideological orientation.

The New York Post ' s Kyle Smith wrote that the film would have pleased " Adolf 's boys," [] and Slate 's Dana Stevens compares the film to The Eternal Jew , "as a textbook example of how race-baiting fantasy and nationalist myth can serve as an incitement to total war.

Since it's a product of the post-ideological, post- Xbox 21st century, will instead be talked about as a technical achievement, the next blip on the increasingly blurry line between movies and video games.

Newsday critic Gene Seymour, on the other hand, stated that such reactions are misguided, writing that "the movie's just too darned silly to withstand any ideological theorizing".

They were the biggest slave owners in Greece. But at the same time, Spartan women had an unusual level of rights.

It's a paradox that they were a bunch of people who in many ways were fascist , but they were the bulwark against the fall of democracy.

The closest comparison you can draw in terms of our own military today is to think of the red-caped Spartans as being like our special-ops forces.

They're these almost superhuman characters with a tremendous warrior ethic , who were unquestionably the best fighters in Greece.

I didn't want to render Sparta in overly accurate terms, because ultimately I do want you to root for the Spartans. I couldn't show them being quite as cruel as they were.

I made them as cruel as I thought a modern audience could stand. Michael M. Chemers, author of " ' With Your Shield, or on It': Disability Representation in " in the Disability Studies Quarterly , said that the film's portrayal of the hunchback and his story "is not mere ableism : this is anti-disability".

It would be much more classically Spartan if Leonidas laughed and kicked him off the cliff. From its opening, also attracted controversy over its portrayal of Persians.

Officials of the Iranian government [] denounced the film. The film's portrayal of ancient Persians caused a particularly strong reaction in Iran.

Azadeh Moaveni of Time reported, "All of Tehran was outraged. Everywhere I went yesterday, the talk vibrated with indignation over the film".

Ayende-No , an independent Iranian newspaper, said that "[t]he film depicts Iranians as demons, without culture, feeling or humanity, who think of nothing except attacking other nations and killing people".

Moaveni identified two factors which may have contributed to the intensity of Iranian indignation over the film.

First, she describes the timing of the film's release, on the eve of Norouz , the Persian New Year , as "inauspicious". Second, Iranians tend to view the era depicted in the film as "a particularly noble page in their history".

Moaveni also suggests that "the box office success of , compared with the relative flop of Alexander another spurious period epic dealing with Persians , is cause for considerable alarm, signaling ominous U.

According to The Guardian , Iranian critics of , ranging from bloggers to government officials, have described the movie "as a calculated attempt to demonise Iran at a time of intensifying U.

The film focused on the Athenian admiral, Themistocles , as portrayed by Australian actor Sullivan Stapleton. The sequel, Rise of an Empire , was released on March 7, From Wikipedia, the free encyclopedia.

This article is about the film. For the sequel, see Rise of an Empire. Theatrical release poster.

Gerard Butler as Leonidas , King of Sparta. David Wenham as Dilios , narrator and Spartan soldier. Lena Headey as Queen Gorgo , Queen of Sparta Gorgo has a larger role in the film than she does in the comic book, where she only appears in the beginning.

Tom Wisdom as Astinos, Captain Artemis' eldest son. In the film Astinos has a constant presence until he dies. In the comic book, the Captain's son is only mentioned when he dies.

Andrew Tiernan as Ephialtes , a deformed Spartan outcast and traitor. Stephen McHattie as the Loyalist , a loyal Spartan politician.

Michael Fassbender as Stelios , a young, spirited and highly skilled Spartan soldier. Peter Mensah as a Persian messenger who gets kicked into the well by Leonidas.

Kelly Craig as Pythia , an Oracle to the Ephors. Tyler Neitzel as young Leonidas. Robert Maillet as Über Immortal giant , a muscular and deranged Immortal who battles Leonidas during the Immortal fight.

Patrick Sabongui as the Persian General who tries to get Leonidas to comply at the end of the battle. Leon Laderach as Executioner , a hulking, clawed man who executes men who have displeased Xerxes.

Tyrone Benskin as the whip-wielding Persian Emissary. Main article: Original Motion Picture Soundtrack. Main article: Rise of an Empire.

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Former United Nations employee Gerry Lane traverses the world in a race against time to stop a zombie pandemic that is toppling armies and governments and threatens to destroy humanity itself.

A police officer joins a secret organization that polices and monitors extraterrestrial interactions on Earth. A bored married couple is surprised to learn that they are both assassins hired by competing agencies to kill each other.

An American military advisor embraces the Samurai culture he was hired to destroy after he is captured in battle. Jack Hall, paleoclimatologist, must make a daring trek from Washington, D.

In where former superheroes exist, the murder of a colleague sends active vigilante Rorschach into his own sprawling investigation, uncovering something that could completely change the course of history as we know it.

A grizzled tank commander makes tough decisions as he and his crew fight their way across Germany in April, In the Battle of Thermopylae of BC an alliance of Greek city-states fought the invading Persian army in the mountain pass of Thermopylae.

Vastly outnumbered, the Greeks held back the enemy in one of the most famous last stands of history. Persian King Xerxes led a Army of well over , Persian king Xerxes before war has about , army men to Greece and was confronted by Spartans, Thespians, and Thebans.

Xerxes waited for 10 days for King Leonidas to surrender or withdraw but left with no options he pushed forward.

After 3 days of battle all the Greeks were killed. The Spartan defeat was not the one expected, as a local shepherd, named Ephialtes, defected to the Persians and informed Xerxes that the separate path through Thermopylae, which the Persians could use to outflank the Greeks, was not as heavily guarded as they thought.

Written by cyberian As the countless armies of Xerxes approaches, King Leonidas petitions the ruling council to meet the army with whatever men can be found.

Although I am surprised to see this film so highly rated on IMDb, I can understand why it is so because it does deliver a powerful experience, almost powerful enough to carry it through its lack of real depth or substance.

You can see the selling point on the DVD cover or the poster because it is in these places where any film visually has to sell itself. With though this selling continues across the entire film because, holding close to the graphic novel roots, the visual design is the all here.

The plot is simple and, although there is a little bit of politicing back home, the film is all about the stand of the against countless others.

In this regard it is visceral, violent and visually stunning. The mix of effects with live action brings the action to live and is as suitably overblown as the legend.

Snyder's direction matches the effects and he wallows in every macho swing of the sword, doing really well to capture the action in a way that is engaging and clear.

The lack of substance was a bit of a problem but to be honest the film does sweep you along in the moment of the battle and mostly this is all you care about.

The cast don't really have characters so much as presence and mostly they deliver in this area. Butler is strong in the lead and he convinces in the role of Leonidas.

The rest of the cast are appropriately muscular and heroic and fit in with what the script is trying to do.

Overall this is an effective but superficial film. The design and the look is the all but fortunately it delivers in this regard really well.

The performances, the script and everything else falls into line in supporting the graphic novel feel of the film and, although I would like to say I favour substance over style, it is hard not to like when the style is this well done.

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Share this Rating Title: 7. Use the HTML below. You must be a registered user to use the IMDb rating plugin. Edit Cast Cast overview, first billed only: Gerard Butler King Leonidas Lena Headey Queen Gorgo Dominic West Theron David Wenham Dilios Vincent Regan Captain Michael Fassbender Stelios Tom Wisdom Astinos Andrew Pleavin Daxos Andrew Tiernan Ephialtes Rodrigo Santoro Xerxes Giovani Cimmino Loyalist Greg Kramer Ephor 1 Alex Ivanovici Ephor 2 Kelly Craig Learn more More Like This.

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Edit Did You Know? Trivia Filmed mostly with a super-imposition chroma key technique to help replicate the imagery of the original comic book.

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